Home
Categories
EXPLORE
True Crime
Comedy
Society & Culture
Business
Sports
History
Fiction
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts126/v4/99/9b/f9/999bf905-8360-cd83-ff6e-ffe0237cf718/mza_7748657472056761371.jpg/600x600bb.jpg
Why We Theater
Broadway Podcast Network
36 episodes
9 months ago
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
Show more...
Visual Arts
Arts,
Performing Arts
RSS
All content for Why We Theater is the property of Broadway Podcast Network and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
Show more...
Visual Arts
Arts,
Performing Arts
https://is1-ssl.mzstatic.com/image/thumb/Podcasts126/v4/99/9b/f9/999bf905-8360-cd83-ff6e-ffe0237cf718/mza_7748657472056761371.jpg/600x600bb.jpg
SANCTUARY CITY and U.S. Immigration Reform
Why We Theater
1 hour 26 minutes
3 years ago
SANCTUARY CITY and U.S. Immigration Reform
Pulitzer Prize-winning playwright Martyna Majok debuted her new play, Sanctuary City, Off-Broadway at New York Theatre Workshop in the fall of 2021. The drama follows B and G, two best friends, both undocumented immigrants. After 9/11, B’s mom decides to return to her country of origin, but the U.S. is the only home B has ever known. As he decides whether to stay or leave, G might be able to offer him a solution. How much are they each willing to sacrifice?  Sanctuary City puts U.S. immigration policy and the people it affects under a microscope and humanizes the stories behind the legalese. Host Ruthie Fierberg, along with Majok and experts Katherine Benton-Cohen (Author Inventing the Immigration Problem: The Dillingham Commission & Its Legacy), Carolina Canizales (Immigration Legal Resource Center), and Christian Pinochet-Paul (Presidents’ Alliance) discuss the evolution of immigration policy in the United States to present day, potential reforms to make policies more humane, where immigrants can find support, and more.  Create the change Support your local immigrant communities Create a warm and safe space at community centers Welcome them in the PTA and at school functions Become a patron of immigrant-owned businesses Assist in supporting refugees Dispel myths about immigrants (Read “The 14 Most Common Arguments Against Immigrants and Why They’re Wrong”) Donate to/partner with TheDream.US Donate to the International Rescue Committee Volunteer with/Join a campaign at United We Dream, the largest immigrant youth-led network Visit the State Policies map to see the policies of colleges & universities in every state Advocate for in-state tuition for all students with your state representatives If you work at a college or university, visit Presidents’ Alliance for resources, research, and tips to support international, immigrant, & undocumented students If you or someone you know is an immigrant, undocumented or otherwise, who needs support: Check your eligibility for DACA and apply (DACA toolbox) Apply for a National Scholarship or Opportunity Scholarship for higher education Seek support from United We Dream Reach out to Texas Organizing Project Contact the Workers Defense Project Find a Dream Center near you Referred to in this episode Timeline of U.S. immigration laws  What is DACA (Deferred Action for Childhood Arrivals)? What is DOMA (Defense of Marriage Act)? The Dillingham Commission Katie’s book Inventing the Immigration Problem: The Dillingham Commission & Its Legacy Chinese Exclusion Act 1907 Gentlemen's Agreement 1965 Hart-Celler Act What is the DREAM Act? Who are Dreamers? Paul Kramer TED Talk: “Our Immigration Conversation Is Broken” Section 1325 (Unlawful Entry….) and Section 1326 (Re-entry After Deportation) Business Insider article on inflation and immigration Presidents’ Alliance, Best Practices Gaby Pacheco scholarship (via TheDream.us) Julian Castro’s proposed immigration policies Libby Garland’s book After They Closed the Gates: Jewish Illegal Immigration to the United States, 1921-1965 The number of immigrants and undocumented immigrants in the U.S. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Martyna Majok, playwright Twitter: @martynamajok Katherine Benton-Cohen, PhD, professor of history and author Twitter: @guprofbc  Carolina Canizales, Immigrant Legal Resource Center Twitter: @the_ILRC Christian Penichet-Paul, Presidents’ Alliance Twitter: @donchristian92 Learn more about your ad choices. Visit megaphone.fm/adchoices
Why We Theater
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.