Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
All content for Why We Theater is the property of Broadway Podcast Network and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
INTERSTATE and Authentic Trans, Queer, and Asian-American Representation
Why We Theater
1 hour 12 minutes
3 years ago
INTERSTATE and Authentic Trans, Queer, and Asian-American Representation
Representation is the buzzword of the day. But mere presence means nothing if it isn’t accurate and genuine. Authentic representation in storytelling benefits not only members of historically excluded groups like Asian-Americans and trans people but members of every group, including the dominant culture. As of 2019, 69.1 percent of all film roles were white. How do we achieve a greater variety of stories, roles, and jobs in theatre, movies, and television? How do we ensure these stories and parts are written “authentically”? How do we get producers to greenlight projects?
Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs. Kit & Melissa join host Ruthie Fierberg and experts Sheena Brevig of the Center for Scholars and Storytellers and AC Dumlao of the Transgender Legal Defense & Education Fund for this discussion about the importance and impact of authentic representation and how we can push for parity.
Hear songs from INTERSTATE here.
Create the change
If you are a studio head, producer, director, greenlight stories about historically excluded characters AND make sure members of that community are part of the creative team.
Use the Kilroys List—the annual industry survey of excellent new works by women, trans, and non-binary playwrights—to find quality stories by underrepresented artists to produce.
Read These Numbers Show How More Diversity on TV Leads to Increased Viewership
If you are an audience member, buy a ticket to a show/movie or watch a series about a community you are not a part of.
Download the Center for Scholars and Storytellers’ “AIR Tip Sheet for Race” to ensure authentic, inclusive representation across races.
Read these storytelling tips to evolve the representation of boys and men.
Enlist CSS to consult on a project or sign your team up for a CSS workshop.
Get in touch with AC Dumlao and enroll in a workshop (i.e. Trans 101).
Watch “Trans Literacy Project” videos from Honest Accomplice Theatre for their Trans 101 series.
If you or someone you know needs help changing their name, visit TLDEF’s Name Change Project.
If you or someone you know needs info about trans health services and access, visit TLDEF’s Trans Health Project.
How to support TLDEF
Follow TLDEF on social: @translegaldefense on IG, @TLDEF on FB and T.
Read this article about the need for and benefits of authentic Asian-American representation.
Read this discussion about trans roles for theater in American Theatre Magazine.
See this graphic on Gender Parity in Children’s Television.
Referred to in this episode
Ruthie’s Playbill interview with Kit and Melissa
“On T” refers to taking testosterone hormone therapy, which some trans men choose this as part of their gender affirmation process
“Het” abbreviation for heterosexual
Transgender Legal Defense & Education Fund (TLDEF)
Center for Scholars and Storytellers (CSS)
CSS’ AIR Report
The Vito Russo Test
The Writers Guild of America 2020 Inclusion Report (statistical source)
UCLA’s Hollywood Diversity Report 2020 (statistical source)
Understand racial bias communicated via television nonverbal behavior
Quote from CSS - “Many believed having a Black president…”
LGBTQ+ lead characters in TV and film stats
API 1 protagonist in top-grossing film
Dr. Sheila Murphy’s study out of USC about the impact of narrative vs non-narrative film on public health outcomes for women. (Correction from the podcast: This study was published in 2015, not 2012.)
DEI workshops through CSS
About Our Guests:
Ruthie Fierberg, Host
IG: @whywetheater / T: @whywetheater
Melissa Li
www.melissali.com/ @melsaboo
Kit Yan
www.kityanpoet.com/ @kityanpoet
Sheena Brevig
@sheenamidori / CSS IG @scholarsandstorytellers
AC Dumlao
IG: @mx.acdumlao/ T: @mxacdumlao
Learn more about your ad choices. Visit megaphone.fm/adchoices
Why We Theater
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
