Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
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Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
Last week, American Utopia performer Tendayi Kuumba and experts Drs. Vinoo Alluri and Alejandro Lleras helped host Ruthie Fierberg take step back and welcome a broader perspective to problem-solving, beyond “What are the next steps to create change?” to “How do we find the next steps to create change?”
The human brain is not a muscle, but it does need exercise—so to speak. To change the way we solve problems, we must change the way we approach problems. Change the very way we think. Actor and producer Salma Hayek had this same idea when she produced the 2014 animated film The Prophet, a movie adaptation of Kahlil Gibran’s 1923 eponymous book. Hayek also believed: “We need a new generation that goes into the unknown and finds solutions that we have not seen or heard.” So this week, Ruthie recommends The Prophet as the companion piece to American Utopia—currently on Broadway through April 3, 2022.
Listen to David Byrne’s American Utopia on Spotify, YouTube, Apple Music.
Get tickets to David Byrne’s American Utopia on Broadway.
Watch David Byrne’s American Utopia on HBOMax.
Watch the animated movie The Prophet.
Purchase the book The Prophet from your local independent bookstore.
Sign up for Ruthie’s monthly newsletter at ruthiefierberg.com.
Referred to in this episode
Read: Ways to help those in Ukraine
Help refugees throughout the world
Kahlil Gibran’s book The Prophet
Ruthie’s Parents.com interview with Salma Hayek
Connect with your host!
Ruthiefierberg.com
IG: @whywetheater / T: @whywetheater
IG: @ruthiefierceberg / T: @RuthiesATrain
Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.
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Why We Theater
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
