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Why We Theater
Broadway Podcast Network
36 episodes
9 months ago
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
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Visual Arts
Arts,
Performing Arts
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All content for Why We Theater is the property of Broadway Podcast Network and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.
Show more...
Visual Arts
Arts,
Performing Arts
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ADDRESSLESS meets Choose-Your-Own Activity
Why We Theater
21 minutes
3 years ago
ADDRESSLESS meets Choose-Your-Own Activity
In this week’s mini-episode, Ruthie recommends books—some novels, some memoirs—and television episodes that tell stories about homelessness. Then, taking a page out of Addressless’ book, Ruthie offers guides listeners through three at-home activities to better emotionally comprehend what it means to be at risk for homelessness and to experience it. Organize a Sleep Out of your own. Try Covenant House's "What Would You Do?" Activity. Instructions for Losing Your Identity courtesy of Covenant House Instructions for Privilege For Sale courtesy of Covenant House Recommended Reads: My Abandonment by Peter Rock The Motel Life by Willy Vlautin Breaking Night: A Memoir of Forgiveness, Survival, and My Journey From Homeless to Harvard by Liz Murray From the Ashes by Jesse Thistle Find your local independent bookstore. Grey's Anatomy, Season 9, Ep 6 Station 19, Season 5, Ep 12 Create the change: Learn more at the National Alliance to End Homelessness (NAEH) View homelessness statistics by state Volunteer with or donate to Covenant House; Organize a Sleep Out in your community Tell Congress to fund Homeless Assistance Grants (Click to sign a letter) Read up on current legislation that would impact homelessness How do we deal with our legislators? Improve conditions in homeless shelters: Hire well-trained staff, and hire enough of them Bring mental health services to the shelters (i.e. have AA meetings on the premises, have mental health counselors on the premises) What 4 experts have to say Find a mentorship opportunity Make cards with contact info to promote nearby shelters to hand out to those who are in need and asking for help Donate clothes, especially socks, to nearby shelters Participate in your city’s point-in-time count (signups are generally in Nov/Dec for the upcoming year - Google to find the PIT in your neighborhood) Try rapid re-housing in your community Learn about permanent supportive housing Increase employment opportunities (adjust job applications so they do not require listing a permanent address) Read the obstacles to solving the homelessness crisis—then counter them Understand why homelessness is rising Directory of Homeless Service Organizations by state Sign up for Advocacy Alerts from the NAEH Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices
Why We Theater
Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.