In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?
All content for Whitechapel Radio Station is the property of Whitechapel Gallery and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?
Discover the inspiration behind artist Johanna Billing's film 'Each Moment Presents What Happens' (2022), as she discusses her ideas for the work with Whitechapel Gallery Director Gilane Tawadros and curator Judith Winter. The conversation touches on the legacy of Black Mountain College and approaches to collaborative art practice.
For more information: www.whitechapelgallery.org/exhibitions/johanna-billing
Transcript: www.whitechapelgallery.org/wp-content/uploads/2024/01/Hear-Now-Johanna-Billing-Transcript-PDF.pdf
Whitechapel Radio Station
In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?
