In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?
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In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?
Has performance art become institutionalised or does it still hold the power to challenge the institution?
Drawing on two exhibitions, Moving Bodies, Moving Images and Out of the Margins: Performance in London’s Institutions 1990s – 2010s, this episode explores the relationship between performance art and the contexts in which it is shown. Guests featured in this episode include co-founder of Live Art Development Agency, Lois Keidan, artists Hetain Patel and Leah Clements, and curator Erin Li.
For more information about the exhibitions, visit:
www.whitechapelgallery.org/exhibitions/moving-bodies-moving-images/
www.whitechapelgallery.org/exhibitions/out-of-the-margins-performance-in-londons-institutions-from-the-1990s-2010s/
Transcript: https://www.whitechapelgallery.org/wp-content/uploads/2023/01/Performance-Now_Transcript.pdf
Whitechapel Radio Station
In episode 4 of our mini series The London Open Live Podcast, we present 'Futurity - Ignorance is Bliss?' featuring Lois Weaver, Gigi Brathwaite, and Pianka Parna (host). In this conversation, we reflect on ideas of momentum, mapping out what we need from our audiences and each other as live art practitioners and artists. How do we nurture intergenerational and inter-experiential exchange? How can we begin to break out of scarcity mentalities and focus on solidarity building and resourcing sharing?