In this episode of What’s My Thesis?, host Javier Proenza is joined by artist Lauren Goldenberg Longoria for a conversation that traverses personal memory, studio practice, and the tender labor of transformation. Known for her materially rich works that fuse paper, performance, and poetic intuition, Goldenberg Longoria speaks candidly about the healing logic of her process—and the quiet revolutions that can occur through repetition, care, and tactility. Trained in traditional printmaking and now immersed in the world of handmade paper, Goldenberg Longoria discusses how she builds meaning through destruction—tearing and pulping paper from past works, using the remnants to seed new ones. Her practice becomes a kind of emotional composting: nothing is discarded, everything is metabolized. Whether she’s embedding hair into a fresh sheet of paper or excavating the boundaries between sculpture and drawing, her work investigates how memory and material collapse into one another. Throughout the episode, Goldenberg Longoria shares stories of childhood, loss, and creative perseverance, always returning to the primacy of the hand. From squishing “gross things” as a kid to the meditative choreography of the studio, she makes a compelling case for process as a form of knowing—and for art as a space where grief can be held, rather than solved. This episode offers a rare look at how artists turn vulnerability into methodology, and how even the most fragile materials can carry a resilient kind of weight. —🔗 Follow Lauren Goldenberg Longoria: @laurengoldenberglongoria🎧 Listen on all platforms: whatsmythesis.com🎥 Watch on YouTube: youtube.com/@whatsmythesis❤️ Support on Patreon: patreon.com/whatsmythesis #HandmadePaper #ContemporaryArt #LaurenGoldenbergLongoria #WhatsMyThesis #MaterialityInArt #ArtAndGrief #PaperArt #ProcessBasedArt #EmotionalLabor #TactileArt