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Welcome to Horror
Welcome to Horror
286 episodes
15 hours ago
It’s time to visit the misspent youth of the team, hurtling back to 1998 for Jake West’s “Razor Blade Smile”. A film that shows that a coffin can make a lovely centrepiece gun rack in any bedroom; highlights that vampires are the only ones not showing off their fangs at a Goth club; and bravely needle drops “Bela Lugosi’s Dead” like “The Hunger” just didn’t happen. Razor Blade Smile made something of a splash when it came out - a flashy/trashy horror with camp laughs, nudity, gore and an icon in the form of Eileen Daly’s rubber cat-suited vampire assassin, it felt utterly different to anything else emerging from the doldrums of the British film industry. Made on a shoestring budget, but never aiming for anything less than spectacle; time hasn’t necessarily been too kind to it visually, although ironically it’s the (then) state of the art computer generated imagery that has dated the worst. More importantly; it’s shoot-outs and fetish wear aesthetic predates both The Matrix and Underworld franchises. Whilst some minor roles may feature less than stellar acting, the main cast are giving their all, with Daly cementing her place as a British scream queen, and a genuinely brilliant turn from Christopher Adamson as the villain. Watch (or re-watch) to avoid spoilers and join us.
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TV & Film
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It’s time to visit the misspent youth of the team, hurtling back to 1998 for Jake West’s “Razor Blade Smile”. A film that shows that a coffin can make a lovely centrepiece gun rack in any bedroom; highlights that vampires are the only ones not showing off their fangs at a Goth club; and bravely needle drops “Bela Lugosi’s Dead” like “The Hunger” just didn’t happen. Razor Blade Smile made something of a splash when it came out - a flashy/trashy horror with camp laughs, nudity, gore and an icon in the form of Eileen Daly’s rubber cat-suited vampire assassin, it felt utterly different to anything else emerging from the doldrums of the British film industry. Made on a shoestring budget, but never aiming for anything less than spectacle; time hasn’t necessarily been too kind to it visually, although ironically it’s the (then) state of the art computer generated imagery that has dated the worst. More importantly; it’s shoot-outs and fetish wear aesthetic predates both The Matrix and Underworld franchises. Whilst some minor roles may feature less than stellar acting, the main cast are giving their all, with Daly cementing her place as a British scream queen, and a genuinely brilliant turn from Christopher Adamson as the villain. Watch (or re-watch) to avoid spoilers and join us.
Show more...
TV & Film
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Ep 226 The Mummy
Welcome to Horror
34 minutes 55 seconds
4 months ago
Ep 226 The Mummy
Grab your bandages and have a good sarcophagus - we’re watching Universal’s original 1932 version of “The Mummy”. A film in which Zita Johann attempts to break the record for the number of 6’s you can put on your forehead; Edward Van Sloan returns as Van Helsing… er… plays the entirely new character of Dr Muller; and Jack Pierce bakes Boris Karloff for 8 hours at Gas Mark 5. Having hit gold with their adaptations of Dracula and Frankenstein, Universal decided to add another monster to their roster, and turned to Egypt for inspiration. Returning star Karloff cements his reputation with his baleful portrayal of Imhotep/Ardath Bey, searching for his lost love from beyond the grave. He is ably matched by Zita Johann’s portrayal of Helen and, later, the long dead Anck-es-en-Amon. Makeup maestro Jack P Pierce once again makes a memorable monster, in both his forms. Although this in many ways retreads the story beats of Dracula, it still has its own iconic moments, and it may also surprise new viewers that the shambling figure in bandages they may expect is almost entirely absent. Whilst there are aspects and attitudes of the film that may not sit well with modern sensibilities; it is product of nearly a century ago, and should be taken as such. And as a key film of Universal’s original horror run, it really deserves to be seen. Watch (or re-watch) to avoid 93 year old spoilers and join us.
Welcome to Horror
It’s time to visit the misspent youth of the team, hurtling back to 1998 for Jake West’s “Razor Blade Smile”. A film that shows that a coffin can make a lovely centrepiece gun rack in any bedroom; highlights that vampires are the only ones not showing off their fangs at a Goth club; and bravely needle drops “Bela Lugosi’s Dead” like “The Hunger” just didn’t happen. Razor Blade Smile made something of a splash when it came out - a flashy/trashy horror with camp laughs, nudity, gore and an icon in the form of Eileen Daly’s rubber cat-suited vampire assassin, it felt utterly different to anything else emerging from the doldrums of the British film industry. Made on a shoestring budget, but never aiming for anything less than spectacle; time hasn’t necessarily been too kind to it visually, although ironically it’s the (then) state of the art computer generated imagery that has dated the worst. More importantly; it’s shoot-outs and fetish wear aesthetic predates both The Matrix and Underworld franchises. Whilst some minor roles may feature less than stellar acting, the main cast are giving their all, with Daly cementing her place as a British scream queen, and a genuinely brilliant turn from Christopher Adamson as the villain. Watch (or re-watch) to avoid spoilers and join us.