In this episode with Jonathan Greenaway (Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century & The Horror Vanguard podcast) we arrive at the New Flesh while peeling back the layers of a nightmarish society in stasis.  

We get into: necro-neoliberalism, depressive hedonia, unspent energy mutating into gothic maw, our struggle to be and remain human, nostalgia neutralizing hope/fear instead of bringing us closer to history, the internet as a profoundly haunted and haunting device, Paul tells a dumb story about seeing Beyond the Black Rainbow on acid and the glorious weirdness of "Titane" 

Jon Greenaway is an academic, writer and teacher based in the North of England. He’s currently working on a PhD that focuses on philosophy, theology and the gothic literature of the nineteenth century. 

He’s also behind @TheLitCritGuy, a social media project that aims to bring critical and cultural theory away from its academic enclave and to the widest possible audience. He writes for a variety of publications online and blogs at thelitcritguy.com. 

He tweets @thelitcritguy. 

Find Jon on Youtube at Jon the Lit Crit Guy Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic. 

Theme music by Joseph E. Martinez of Junius 

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