
In the summer of 2020, Sylvester Johnson spoke with E. Patrick Johnson about his award-winning film Making Sweet Tea.
E. Patrick Johnson is the Dean of the School of Communication at Northwestern University, where he holds the Carlos Montezuma chair as Professor of Performance Studies and African American Studies.
He is a scholar and an artist who performs nationally and internationally and has published widely in the areas of race, gender, sexuality and performance. Johnson is a prolific performer and scholar, and an inspiring teacher, whose research and artistry has greatly impacted African American studies, Performance studies, and Gender and Sexuality studies. He has written two award-winning books, Appropriating Blackness: Performance and the Politics of Authenticity (Duke UP, 2003), which won the Lilla A. Heston Award, the Errol Hill Book Award, and was a finalist for the Hurston/Wright Legacy Award and Sweet Tea: Black Gay Men of the South—An Oral History (University of North Carolina UP, 2008), which was recognized as a Stonewall Book Award Honor Book by the LGBT Round Table of the American Library Association.
He co-edited (with Mae G. Henderson) Black Queer Studies—A Critical Anthology (Duke UP, 2005). He is also the editor of Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (Michigan UP, 2013) and co-editor (with Ramón Rivera-Servera) of solo/black/woman: scripts, interviews, and essays (Northwestern UP, 2013). Johnson edited No Tea, No Shade: New Writings in Black Queer Studies (Duke UP, 2016) and he also co-edited Blacktino Queer Performance (with Ramón Rivera-Servera (Duke UP, 2016). He recently published the creative nonfiction text titled Honeypot: Black Southern Women Who Love Women. He is also writing a companion volume (?) Black. Queer. Southern. Women. — An Oral History.