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Vortex Temporum
Vortex Temporum
10 episodes
3 days ago
Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
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Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
Show more...
Music
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VT041 | Silva Borzelli: pianocast - on erosion and resistance
Vortex Temporum
14 minutes
5 months ago
VT041 | Silva Borzelli: pianocast - on erosion and resistance
Send us a text A few days before the Portuguese premiere of Silvia Borzelli's (Rome, 1978) A Self-portrait (with Anatsui in the background) [2022], this Netherlands based Italian composer shares some insights on her own music, erosion, resistance and whatever comes before music. credits: stalagma (Anna Politkovskaja in memoriam) [2007], for piano | Emanuele Torquati > piano // zattere [2013], for piano and stereo soundtrack | Vittoria Quartararo > piano // hyper-image [2020, rev. 2023]...
Vortex Temporum
Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...