Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
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Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
VT039 | Sivan Cohen Elias: conversation about puppetry
Vortex Temporum
16 minutes
7 months ago
VT039 | Sivan Cohen Elias: conversation about puppetry
Send us a text One of Sivan Cohen Elias’ (Jerusalem, 1976) major interests must be sound puppetry. In Vortex Temporum episode number 39, this Israeli composer lets us listen to a conversation she has with her husband and collaborator, Rey Hulme, about this central matter of her own music. credits: How to Make a Monster [2021], for a performer with objects and live electronics | performance by Winnie Huang // Escape Room [2024], for trio percussion | ensemble Line Upon Line Percussion // Whist...
Vortex Temporum
Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
