Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
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Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...
VT038 | Sara Stevanović: this podcast will be cancelled
Vortex Temporum
8 minutes
8 months ago
VT038 | Sara Stevanović: this podcast will be cancelled
Send us a text In episode 38 of Vortex Temporum podcast, Sara Stevanović (Belgrade, 1998) reflects on Harry Lehmann's 'Ideologiemaschinen: Wie Cancel Culture funktioniert'. credits: search: pink fingers fragile archives [2024]. live performance by Ensemble Recherche at the Wittener Tage für neue Kammermusik festival 2024. vortextemporum.com
Vortex Temporum
Send us a text As listeners will soon notice, Portuguese composer Luís Salgueiro (1993) moves with ease between philosophy and music — two territories that, in his work, often mirror one another. In this episode, we join him in a quiet exploration of how thought becomes sound and how language shapes what we hear, while listening to a few fleeting excerpts from his own music. Do we still have the courage to speak about music? credits: Parroting [2025], soundscape // Wolf Town [2020], for saxop...