The Violence Design Lab is the podcast destination for fight choreographers, theatre directors, stage combatants, actors, teachers of theatre, or anyone interested in the art of stage combat who wants to learn to design violence for theatre. Join me for weekly advice and tips on how to create better designs, act fights more convincingly, and use the power of stage combat more effectively in your directing project!
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The Violence Design Lab is the podcast destination for fight choreographers, theatre directors, stage combatants, actors, teachers of theatre, or anyone interested in the art of stage combat who wants to learn to design violence for theatre. Join me for weekly advice and tips on how to create better designs, act fights more convincingly, and use the power of stage combat more effectively in your directing project!
Historical Drama: doesn't every Shakespeare play with fights fall into that category? Or everything set before 1980? What about Game of Thrones and Lord of the Rings? Aren't they in that style too? Let's talk about this common--and commonly mischoreographed--style, and figure out what to include, what to steer clear of...and how to know when you're in a historical drama in the first place!
This week's episode is the second in a series on style: designing fights in particular ways to match a specific genre or to evoke a certain tone. Each iteration in the series will break down the specific elements that define the style and give you concrete, actionable ways to incorporate these elements into your choreography. I will also discuss the reasons that make the style challenging and how using it can affect the logistics of your production process, and finally, I'll wrap up with a discussion of the general "feel" or tone that the style evokes in performance.
Contents
0:58 Define "Historical Drama"
4:52 The Elements of the Style
15:34 Why Is This Style Challenging?
26:49 What Tone Does This Style Create?
27:53 Takeaways
Violence Design Lab Podcast
The Violence Design Lab is the podcast destination for fight choreographers, theatre directors, stage combatants, actors, teachers of theatre, or anyone interested in the art of stage combat who wants to learn to design violence for theatre. Join me for weekly advice and tips on how to create better designs, act fights more convincingly, and use the power of stage combat more effectively in your directing project!
