Unlike other theatrical design specialties such as lighting, sets, or costumes, violence design suffers from a lack of formal instruction and training available to those who would pursue a career in fight choreography. The potential designer often has little recourse other than to take the "sink or swim" approach in trying to transition from a performer who knows stage combat to a designer responsible for conceiving, teaching, and staging the violence for an entire show. Internships are a great way to bridge the gap. This week, I have a panel of people with personal experiences with apprenticeship: Victor Bayona, who began as an apprentice for R&D Choreography in Chicago (and went on to become a partner in the company), Chloe Baldwin, an intern who trained under Victor and is now working as a designer on her own, and Almanya Narula and Nicolas Cabrera, who are currently interning with R&D. It was a great interview, with lots of information for both potential apprentices and for experienced designers considering become mentors to train the next generation.