Vinyl Vibrations is musical exploration into sounds and grooves from artists that produced their works on vinyl records. Vinyl records -- in commercial form -- date back to 1948 with the first 12" LPs -- followed ten years later, in 1958, with the first stereo LP -- and into the 1960s, the so-called Golden Age of Vinyl -- all the way to current time, when even today, some artists are producing on vinyl records. Many music recording formats have come and gone. Today's world is in the cloud. Not long ago it was music CDs, and if you were around in the 1960s and 1970s you experienced the 8-track tape and cassette tape formats. Some of those old magnetic tapes and CDs have lost their playability, while the vinyl LP has stood the test of time.
Vinyl records captures a rich period in pop, rock, jazz and classical music history.
In each show I explore a topic in the production at the time that makes the artist's work unique and timeless. I'm your host, Brian Frederick, here on Vinyl Vibrations.
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Vinyl Vibrations is musical exploration into sounds and grooves from artists that produced their works on vinyl records. Vinyl records -- in commercial form -- date back to 1948 with the first 12" LPs -- followed ten years later, in 1958, with the first stereo LP -- and into the 1960s, the so-called Golden Age of Vinyl -- all the way to current time, when even today, some artists are producing on vinyl records. Many music recording formats have come and gone. Today's world is in the cloud. Not long ago it was music CDs, and if you were around in the 1960s and 1970s you experienced the 8-track tape and cassette tape formats. Some of those old magnetic tapes and CDs have lost their playability, while the vinyl LP has stood the test of time.
Vinyl records captures a rich period in pop, rock, jazz and classical music history.
In each show I explore a topic in the production at the time that makes the artist's work unique and timeless. I'm your host, Brian Frederick, here on Vinyl Vibrations.
In today's VINYL VIBRATIONS podcast, I tour some early vinyl records that showcase PIANIST AND ORGANIST GREAT FATS WALLER. There are some 360 original compositions credited to Fats Waller, so where does one start in an attempt to represent his most imortant works? These recording you will hear in this podcast are found on a vinyl LP Record compilation that were collected by my father. During my childhood, these LPs were a frequent favorite on the house Hi-Fidelity record player.
FATS WALLER PART 1
Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo.
Baby Oh Where Can You Be (Music by Ted Koehler and Frank Magine), The Rarest Fats Waller Volume 2 RFW-2, Organ solo. Recorded 8/24/1929.
Tanglewood, (composed by Fats Waller and Sidney Easton) The Rarest Fats Waller Volume 2 RFW-2, organ solo, recorded 8/24/1929.Handful of Keys, Handful of Keys, Fats Waller and His Rhythm, RCA Victor LPM-1502, 1957. Recorded March 1, 1929.ZSz Piano solo.
Tea for Two (Music by Vincent Youmans) ’Fat’s’ Waller and His Rhythm/Ain’t Misbehavin’, recorded June, 1937 from the 1924 musical “No, No Nanette” 1956, RCA Victor Records
Then You’ll Remember Me (Music by Michael William Balfe), Fats Waller Plays, Sings and Talks , 1956, Jazz Treasury JT-1001. From Balfe’s opera, The Bohemian Girl c1861-1865) recorded Nov 30, 1939. Piano solo. Electrical Transcription (ET).
Sextet Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. from Lucia Di Lammermoor. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET).
MY HEART AT THY SWEET VOICE Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET).
Today in Part 1, I will canvass solo performances of Fats Waller of his recordings between 1929 and 1939, when he was between the ages of 25 and 35. Today’s show is called Fats Waller Piano and Organ Solos. . . .
THOMAS WRIGHT WALLER was born May 21, 1904 in NYC, the youngest of 11 children. He started pl aying piano at age six. His father was the Reverend Edward Martin Waller . By the time Thomas was 10, he had learned how to play the organ at his father’s church. At age 14, he was playing the organ at Harlem Lincoln’s Theater. Fats Waller is best known for his stride piano style.
At age 15 Fats was a professional pianist and worked the local cabarets and theatres. Some of his original compositions are well known standards today, like Honeysuckle Rose, Ain’t Misbehavin’, Handful of Keys, Squeeze Me, Blue Turnin Grey Over You. Recordings of Fats Waller were inducted into the Grammy Hall of Fame, first in 1984, the song Honeysuckle Rose, and again in 1998 the song Ain’t Misbehavin’.
Thomas Waller earned the nickname “Fats” at an early age, because as a Harlem ten year old boy, he was very heavy, over 250 pounds, and for the remainder of his life, his weight would stay between 280 and 300. Fats Waller was hard-working and trained in music theory and in the piano classics. He was prolific and there are some 360 songs credited to him during his short lifetime of 39 years.
In terms of music performance, he preferred small groups to big bands, and preferred to lead groups of 6-8 men. `
We will hear piano and organ solo performances by Fats Waller from 1929, during the time of the Great Depression, and 1939, the start of WW II in Europe, the invasion by Nazi Germany into Poland.
PLUG - VINYL VIBRATIONS - -
M1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo.
Vinyl Vibrations with Brian Frederick podcast
Vinyl Vibrations is musical exploration into sounds and grooves from artists that produced their works on vinyl records. Vinyl records -- in commercial form -- date back to 1948 with the first 12" LPs -- followed ten years later, in 1958, with the first stereo LP -- and into the 1960s, the so-called Golden Age of Vinyl -- all the way to current time, when even today, some artists are producing on vinyl records. Many music recording formats have come and gone. Today's world is in the cloud. Not long ago it was music CDs, and if you were around in the 1960s and 1970s you experienced the 8-track tape and cassette tape formats. Some of those old magnetic tapes and CDs have lost their playability, while the vinyl LP has stood the test of time.
Vinyl records captures a rich period in pop, rock, jazz and classical music history.
In each show I explore a topic in the production at the time that makes the artist's work unique and timeless. I'm your host, Brian Frederick, here on Vinyl Vibrations.
