Grabbing the hosting reins this time around, Kristin Ebeling keeps the crew’s wandering eyes focused on the actual prize: a super coherent and non-wandering-ass conversation. The result is what sure seems like Vent’s most compact and taut episode…ever? It starts with a check-in, quickly, before we hear from Alex White on Tacky Joy Factory and Leo Baker, with a full-on fanout from monsieurs Ted Schmitz, Adam Burns, and Kyle Beachy. Then it’s Street League’s turn toward single-issue skate events. A wooden triple set? In Los Angeles? Is Rumble still behind this shit? Who knows. Then it’s all about The industry is in trouble…and the industry is thriving? To wrap things up we’ve got a few burning-hot predictions for Ted’s triumphant return to the desert after a stint in New York City. Who’ll sponsor him? What’s his future hold? Then it’s the most tasteful trick challenge of all time. And that’s it! A wrap!
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Bur
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Grabbing the hosting reins this time around, Kristin Ebeling keeps the crew’s wandering eyes focused on the actual prize: a super coherent and non-wandering-ass conversation. The result is what sure seems like Vent’s most compact and taut episode…ever? It starts with a check-in, quickly, before we hear from Alex White on Tacky Joy Factory and Leo Baker, with a full-on fanout from monsieurs Ted Schmitz, Adam Burns, and Kyle Beachy. Then it’s Street League’s turn toward single-issue skate events. A wooden triple set? In Los Angeles? Is Rumble still behind this shit? Who knows. Then it’s all about The industry is in trouble…and the industry is thriving? To wrap things up we’ve got a few burning-hot predictions for Ted’s triumphant return to the desert after a stint in New York City. Who’ll sponsor him? What’s his future hold? Then it’s the most tasteful trick challenge of all time. And that’s it! A wrap!
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Bur
Privatized Paddlescapes And The Freaks In The Skyscraper (w/Taj Hanson)
Vent City
1 hour 29 minutes
6 months ago
Privatized Paddlescapes And The Freaks In The Skyscraper (w/Taj Hanson)
Consider this a mini-Slow Impact recap, where an excellent panel about skatepark design and skate-integrated spaces leads to a productive conversation between our guest, Portland-based landscape architect, Taj Hanson, and Ted B about skate spot heritage, the shifting needs of skate plazas and their form, and what we all can do to ensure better things get built and worse things don’t get built at all. Practice into praxis, bank to curb, slap this!
Taj’s trick challenge is a Welshed-out backside noselide, which means you’re gonna do a backside noselide and nollie pop outta that thang!
Logo and Graphic Design by Michael Worful
Intro music by Roar
Credits music by Dylan Bryne
Mixing and Editing by Adam Burns
Vent City
Grabbing the hosting reins this time around, Kristin Ebeling keeps the crew’s wandering eyes focused on the actual prize: a super coherent and non-wandering-ass conversation. The result is what sure seems like Vent’s most compact and taut episode…ever? It starts with a check-in, quickly, before we hear from Alex White on Tacky Joy Factory and Leo Baker, with a full-on fanout from monsieurs Ted Schmitz, Adam Burns, and Kyle Beachy. Then it’s Street League’s turn toward single-issue skate events. A wooden triple set? In Los Angeles? Is Rumble still behind this shit? Who knows. Then it’s all about The industry is in trouble…and the industry is thriving? To wrap things up we’ve got a few burning-hot predictions for Ted’s triumphant return to the desert after a stint in New York City. Who’ll sponsor him? What’s his future hold? Then it’s the most tasteful trick challenge of all time. And that’s it! A wrap!
Thanks, always, to the following:
Intro music by Roar
Credits music by Dylan Bryne
Logo and graphic design by Michael Worful
Mixed and edited by Adam Bur
