Delving into Damien Hirst's fascination with death that is spectrally present in his work, examining his obsession with pharmaceuticals reflected in installations and paintings, analyzing his iconic series - 'The Physical Impossibility of Death in the Mind of Someone Living', discussing the ways in which Hirst controversially disrupts the boundary between art and commerce, exploring the artist's use of morbid materials like taxidermy animals and human skulls, reflecting on the public's fascination and censorship of Hirst's provocative creations