"From the top of the world — fabulous 1340 KAB, Antonio Bay!"

Hey, it’s Halloween, and we’re taking a whack at another ’80s horror favorite: John Carpenter’s “minor classic,” The Fog.

Specifically, that moment after the radio station fire, the inspiration for this week’s episode. I really wanted to perpetually capture that long piano note, with the wind and fog horns. Oh those gloomy piano keys and castrated foghorns (or maybe the deep fog horns are only an east coast thing).

I still love this movie for its sound design. The audible tension created by the film's sound-team feels just as threatening today as it was back then. The contrast between the oddly cheerful KAB radio IDs and the ominous water spillage from a doomed piece of wood is personal fave. That, mid-jingle, a garbled threat cuts through, muttering about “...albatrosses around necks" still takes my breath.

Maybe The Fog is one of the sillier ’80s horror films in terms of premise — but as a kid, the idea of murderous lepers traveling in a glowing mist like corpse-pirate ninjas seemed totally plausible. I was shook.

Basically, the movie could be summed up as “YOU ONLY MOVED THE HEADSTONES!” — but on water. Never mind that The Fog came out two years earlier than Poltergeist. Actually, no — let’s mind it. Maybe Spielberg watched The Fog and thought, “We’ll do The Fog on land — I already did a water horror movie.” 

Or stories of history-born revenge haunting the modern world are a classic trope (think The Turn of the Screw, Candyman, A Christmas Carol, etc.) Either way, both Poltergeist and The Fog deliver the murderous ghostly dead in strange costumes.

And that raises a question: if ghosts exist, are they doomed to wear the outfit they died in? Or can they rotate through their wardrobe from life? (Because honestly, I’d love to haunt people in my Nike Air Pegasus from ’91. So sick...)

PS: If you’re looking for more horror ambience vibes follow the links to check out our episodes for Poltergeist, the Excocist, the Shining, or Susperia.