As the Bard of Brixton once sang, 'that's just the way it is, things'll never be the same...'
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These days, our producer John Taylor's got more on his plate than just production for Traceroute. You see, by night he's also… kind of a rock star. And his band is really more like a second family. Lately, though, that family is going through ch-ch-ch-ch-changes. For starters his keyboardist, Arman, has moved away and left John at a real crossroads. Does he hire a new face to fill the void? Or does he cling to the vibe he's shared with Arman for the past year and turn instead to tech for a solution?
In this episode of Traceroute, we delve into a quest for the perfect tool to help bridge the physical and digital divides that increasingly appear between musicians like John and Arman. From California’s Bay Area to the buzzing streets of Hong Kong, we find a host of technologists who, spurred on by the impacts of a global pandemic, are already hard at work tackling the kind of low-latency global networking solutions that just might be the key to keeping the band in one semi-remote piece.
But within this particular stack, there lies an even bigger conundrum. Because even if we somehow manifest the right tool for the job, is the magic of this so-called “vibe” even replicable? Or is there another solution altogether?
Additional Resources
Connect with Amy Tobey
Connect with Mathr de Leon
Connect with John Taylor
Connect with Ilias Bergström
Connect with Alexander Carôt
Connect with Russell Gavin
Connect with Janine Hacker
Connect with Pamela Pavliscak
Connect with Arman Sedgewick-Billimoria
Connect with Florian Simmendinger
Traceroute is a podcast from Equinix and Stories Bureau. This episode was hosted by Amy Tobey and was produced by Mathr de Leon with help from Sadie Scott. It was edited by Joshua Ramsey with mixing and sound design by Brett Vanderlaan and additional mixing by Jeremy Tuttle. Our fact-checker is Ena Alvarado. Our staff includes Tim Balint, Suzie Falk, Lisa Harris, Alisa Manjarrez, Stephen Staver, Lixandra Urresta, and Rebecca Woodward. Our theme song was composed by Ty Gibbons.
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