Nobel laureate William Faulkner once wrote: “The past is never dead. It isn’t even past.” Can this explain why you, a 32-year-old, skipped your uncle’s birthday to binge Dawson’s Creek? Why the older you get, the more you see yourself as Citizen Kane? And does the key to an industry competing to define the future lie embedded in the lyrics to Nickelback’s ‘Photograph’? Featuring the nostalgic return of special guest Henry Mendoza, the guys explore the rapid reappearance of decades-old characters, the relationship between nostalgia and immortality, whether audiences long for childhood stories or simply how we watched childhood stories, and what it means to feel “at home again.”