Olga Serbaeva describes how the Jayadrathayāmala envisaged magically discovered nidhi (treasure) as an integral part of its soteriological program. Tantric texts dedicate special chapters to the search for nidhi (treasures). The vision of hidden treasures is considered to be a siddhi (supernatural ability) that occurs after many thousand rounds of mantra repetition, and other rituals. Generally, nidhi is considered material treasures, i.e. gold, precious stones, and any other objects related to becoming wealthy. In JY, there is a strong link between nidhi and Kubera, and a particular form of Kālī, called Nidhīśvarī or Kuberajananī, from JY.4.54, once propitiated, bestows the treasures to the sādhakas. Another aspect, closer to the visionary nature of the experiences leading to finding treasures, shall allow us to bring in the JY materials on the altered states of consciousness, where the visionary switch happens in particular conditions after particular auditive and physical forerunning signs. We shall discover how nidhi fits among other consciousness-altering practices such as āveśa/svasthāveśa, khorika, prasena. The prescriptive JY shall be compared to the flowery Kathāsāritsāgara, a text recompiled by Somadeva in the late 11th century Kashmir, reusing some contemporary tantric references and materials. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
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Olga Serbaeva describes how the Jayadrathayāmala envisaged magically discovered nidhi (treasure) as an integral part of its soteriological program. Tantric texts dedicate special chapters to the search for nidhi (treasures). The vision of hidden treasures is considered to be a siddhi (supernatural ability) that occurs after many thousand rounds of mantra repetition, and other rituals. Generally, nidhi is considered material treasures, i.e. gold, precious stones, and any other objects related to becoming wealthy. In JY, there is a strong link between nidhi and Kubera, and a particular form of Kālī, called Nidhīśvarī or Kuberajananī, from JY.4.54, once propitiated, bestows the treasures to the sādhakas. Another aspect, closer to the visionary nature of the experiences leading to finding treasures, shall allow us to bring in the JY materials on the altered states of consciousness, where the visionary switch happens in particular conditions after particular auditive and physical forerunning signs. We shall discover how nidhi fits among other consciousness-altering practices such as āveśa/svasthāveśa, khorika, prasena. The prescriptive JY shall be compared to the flowery Kathāsāritsāgara, a text recompiled by Somadeva in the late 11th century Kashmir, reusing some contemporary tantric references and materials. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Nectar, Water, or Blood? A Buddhist History of Perceptual Relativism
Tibetan Graduate Studies Seminar
46 minutes
2 years ago
Nectar, Water, or Blood? A Buddhist History of Perceptual Relativism
In this talk, Jacob Fisher presents his research on a history of the Buddhist discussions surrounding perceptual relativism, in India and Tibet Indian and Tibetan epistemologists have spent millennia grappling with the central philosophical questions of relativism and intersubjectivity. This talk will present my ongoing DPhil research that attempts to map a philosophical history of the discussion, by focussing on a specific Buddhist example that problematises perceptual relativism. This classic Buddhist example is the perception across world spheres of a river, which depending on the realm one belongs to, will be perceived as either blood for hungry ghosts, water for humans, or nectar for the gods. This classic example of at least three contradictory perceptions emphasises the paradox of relativism and elicits novel philosophical and epistemological solutions to this real-world problem.
The story begins in India with a brief map of the chronological and philosophical developments of the example, beginning with a Pāli discourse and followed by Vinaya, Abhidharma, and Mahāyāna sources. Next, the discussion shall survey the major Tibetan exegetes of Madhyamaka philosophy over the last millennia, specifically those who use the example. Finally, we will zoom inwards to focus on a specific debate on a highly controversial interpretation of the example by Tsongkhapa (1357-1419), in which he simultaneously bolsters the importance of conventional epistemic instruments (tshad ma, pramāṇa) while at the same time undermining them through ascribing an illusory nature to all existence. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Tibetan Graduate Studies Seminar
Olga Serbaeva describes how the Jayadrathayāmala envisaged magically discovered nidhi (treasure) as an integral part of its soteriological program. Tantric texts dedicate special chapters to the search for nidhi (treasures). The vision of hidden treasures is considered to be a siddhi (supernatural ability) that occurs after many thousand rounds of mantra repetition, and other rituals. Generally, nidhi is considered material treasures, i.e. gold, precious stones, and any other objects related to becoming wealthy. In JY, there is a strong link between nidhi and Kubera, and a particular form of Kālī, called Nidhīśvarī or Kuberajananī, from JY.4.54, once propitiated, bestows the treasures to the sādhakas. Another aspect, closer to the visionary nature of the experiences leading to finding treasures, shall allow us to bring in the JY materials on the altered states of consciousness, where the visionary switch happens in particular conditions after particular auditive and physical forerunning signs. We shall discover how nidhi fits among other consciousness-altering practices such as āveśa/svasthāveśa, khorika, prasena. The prescriptive JY shall be compared to the flowery Kathāsāritsāgara, a text recompiled by Somadeva in the late 11th century Kashmir, reusing some contemporary tantric references and materials. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
