For this episode, I interviewed fellow Ad woman Jane Evans. Jane is well known in our industry, she was one of her generation’s most successful advertising women, winning tons of awards for her creative campaigns. BUT and there is a big but here, in her fifties, she was made to feel completely invisible by the advertising industry. This became a big problem. She quickly realised that there is a huge issue of unemployment and invisibility for all midlife women. Emails and call...
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For this episode, I interviewed fellow Ad woman Jane Evans. Jane is well known in our industry, she was one of her generation’s most successful advertising women, winning tons of awards for her creative campaigns. BUT and there is a big but here, in her fifties, she was made to feel completely invisible by the advertising industry. This became a big problem. She quickly realised that there is a huge issue of unemployment and invisibility for all midlife women. Emails and call...
For this episode, I caught up with Annie Atkins. You might not have heard of her name but you will certainly have seen her work. She's the mastermind behind some of the most iconic graphics props and set pieces for multi-award-winning films. Notably and probably one that stands out the most is her work for Wes Anderson’s Grand Budapest Hotel, Isle of Dogs and most recently the French dispatch. And yes the famous iconic pink patisserie box from the grand Budapest hotel is made by her! She’s al...
This Way Up
For this episode, I interviewed fellow Ad woman Jane Evans. Jane is well known in our industry, she was one of her generation’s most successful advertising women, winning tons of awards for her creative campaigns. BUT and there is a big but here, in her fifties, she was made to feel completely invisible by the advertising industry. This became a big problem. She quickly realised that there is a huge issue of unemployment and invisibility for all midlife women. Emails and call...
