Every week on This Had Oscar Buzz, film and entertainment writers Joe Reid and Chris Feil are going to be talking about a different movie that once upon a time had big-time Academy Award aspirations, and for one reason or another, it all went wrong.
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Every week on This Had Oscar Buzz, film and entertainment writers Joe Reid and Chris Feil are going to be talking about a different movie that once upon a time had big-time Academy Award aspirations, and for one reason or another, it all went wrong.
Listeners who remember our The Place Beyond the Pines episode will remember that this is a highly pro-Derek Cianfrance podcast. As his latest Roofman makes its TIFF world premiere, we’re looking back at his most recent theatrical release, 2016’s literary adaptation The Light Between Oceans. The film starred Alicia Vikander and Michael Fassbender as a post-WWI couple whose isolated life caring for an Australian lighthouse is upended when a boat washes ashore carrying a dead man and a crying baby. This melodrama about trauma, responsibility, and the ties that bind was once hotly anticipated before becoming a quickly forgotten Labor Day release.
This episode, we talk about how the final days of Dreamworks’ Disney deal led to its underwhelming release and our anticipation for Roofman. We also discuss Vikander’s Oscar win the previous year, Fassbender becoming overexposed as a leading man, and Rachel Weisz’s emotional turn as the mother of the stranded baby.
Topics also include the 2016 Venice Film Festival, Atonement as a comparison to the film, and Touchstone Pictures!
This Had Oscar Buzz
Every week on This Had Oscar Buzz, film and entertainment writers Joe Reid and Chris Feil are going to be talking about a different movie that once upon a time had big-time Academy Award aspirations, and for one reason or another, it all went wrong.