Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
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Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
A strange description of Jimmy Bond, but accurate nonetheless. After our hiatus, Nick is trying to be more positive about The X-Files. Each episode must have some positive points. Unfortunately, he is trying this on Jump the Shark and William of all things. Jump the Shark does have a lot of sharks and Morris Fletcher. We get into why concluding a series in a different series feels like a terrible plan and how most of the regular X-Files lot seem to be largely absent. Still a shame to say good...
Things Are Getting Strange
Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show