Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
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Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
So here we are. What once was the end of The X-Files is a bit too much like how Seinfeld ended for its own good... We end up talking about Franz Kafka for hopefully good reasons as well as continuing to observe that Mulder should never be allowed in any kind of court-room. We also get to our best and worst episodes of the season. Support the show
Things Are Getting Strange
Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
