Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
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Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
We struggle to say much about Mulder and Scully Meet the Were-Monster, broadly because the episode is an absolute delight and revisiting it has not diminished how starkly it contrasts with the rest of season 10. It is still a fantastic episode. Home, Again on the other hand is part fantastically acted Scully drama, part serious Arcadia remake and part mystifying Candyman-a-like. One of these things feels distinctly out of place and we struggle to make sense of why the episode is formed like t...
Things Are Getting Strange
Episode 2 of Darkplace has perhaps one of the more obvious inspirations from a famed horror author's work and perhaps quailing from the maddening reality of that we talk about why where horror is set seems to dictate what kind of horror you wind up with. More fake lost media and horror projects that intend to hide their actual horror nature and how thin the border between horror and comedy is; all derived from Mr. Marenghi's work. Support the show
