Lee Russell, Leah Hardy, Daniel Harper, and Paul Remaley discuss films they love, hate, or perhaps are on the fence about, usually while drinking. While not adverse to exploring all genres of film, the podcast focuses on horror, sci-fi, cult, exploitation, and the obscure. Spoilers and adult language can be expected.
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Lee Russell, Leah Hardy, Daniel Harper, and Paul Remaley discuss films they love, hate, or perhaps are on the fence about, usually while drinking. While not adverse to exploring all genres of film, the podcast focuses on horror, sci-fi, cult, exploitation, and the obscure. Spoilers and adult language can be expected.
Blood on the Tracks Episode 89: North American Slashers from the 1990s ('97-'99).
They Must Be Destroyed On Sight!
1 hour 27 minutes 34 seconds
3 months ago
Blood on the Tracks Episode 89: North American Slashers from the 1990s ('97-'99).
Lee finishes off his look at the soundtracks and scores of North American-made slasher films from the 1990s, covering some of the stuff that rode the popularity of "Scream", the expected sequels, and other odds and ends.
--A Young Man on the Edge & Final Confrontation from "I Know What You Did Last Summer" (1997) --John Debney--My Baby's Got the Strangest Ways from "I Know What You Did Last Summer" (1997) --Southern Culture on the Skids--Main Titles from "Office Killer" (1997) --Evan Lurie--End Credits from "Jack Frost" (1997) --Chris Anderson & Carl Schurtz--Cassandra Aria from "Scream 2" (1997) --Marco Beltrami--Red Right Hand from "Scream 2" (1997) --Nick Cave & The Bad Seeds--Right Place, Wrong Time from "Scream 2" (1997) --The Jon Spencer Blues Explosion--Opening Credits from "The Catcher" (1998) --Paul Amorosi--Plastic Love from "Bride of Chucky" (1998) --Graeme Revell--Sexual Act from "Urban Legend" (1998) --Christopher Young--Spookshow Baby from "Urban Legend" (1998) --Rob Zombie--Prelude & The Murder from "Psycho" (1998) --Danny Elfman--How Do I Deal & I Will Survive from "I Still Know What You Did Last Summer" (1998) --Jennifer Love Hewitt--On the Pier from "I Still Know What You Did Last Summer" (1998) --John Frizzell--Blue Monday from "I Still Know What You Did Last Summer" (1998) --Orgy--Main Title from "Halloween: H20" (1998) --John Ottman & Marco Beltrami--Opening Credits from "Kolobos" (1999) --William Kidd--Long Suffering from "Cherry Falls" (1999) --Walter Werzowa--Main Title from "Candyman 3: Day of the Dead" (1999) --Adam Gorgoni
Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.
They Must Be Destroyed On Sight!
Lee Russell, Leah Hardy, Daniel Harper, and Paul Remaley discuss films they love, hate, or perhaps are on the fence about, usually while drinking. While not adverse to exploring all genres of film, the podcast focuses on horror, sci-fi, cult, exploitation, and the obscure. Spoilers and adult language can be expected.