The wildly talented multi-hyphenate Mayumi Yoshida returns to the YVR Screen Scene Podcast to discuss her long-awaited feature film directorial debut, Akashi, which is inspired by Mayumi’s own experience of living in the space between cultures. Ten years after moving to Vancouver, struggling visual artist Kana (that’s Mayumi) returns to Tokyo to attend the funeral of her beloved grandmother. Arriving in Japan, she rekindles a tentative flame with her bashful ex-boyfriend, Hiro, an aspiring thespian who vanished from her life a decade prior. As Kana digs deeper into her grandmother’s past, she uncovers a family secret that prompts her to reconsider everything she thought she knew about love, duty, and belonging.
Akashi – which Mayumi wrote, directed, and starred in – has its world premiere this week at the 2025 Vancouver International Film Festival. The feature began its life as a Fringe Festival play in 2016, before evolving into a Storyhive-funded short film in 2017 (the latter for which she earned a slew of awards, including the award for Best Female Director at the 2018 Vancouver Short Film Festival, and the Outstanding Writer Award at the NBCUniversal Short Film Festival). Although it’s been a long road to bring Akashi to the screen in its current feature-length incarnation, Mayumi hasn’t been idle in the intervening years: between directing short films – including the music video for Different Than Before, which won the SXSW Music Video Jury Award in 2023 – and working as a dialect coach and cultural consultant and advocating for diversity and inclusion in our challenging industry, Mayumi has been fighting to get this film made. This included, in 2021, taking on Telefilm, Canada’s major funding provider, for their outdated language requirements that didn’t take Canada’s purported commitment to diversity and inclusion into consideration. In this riveting conversation with Sabrina Rani Furminger, Mayumi reflects on her journey to this moment, how Akashi changed over the years, and how Akashi changed her as an artist.
Episode sponsor: UBCP / ACTRA
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The wildly talented multi-hyphenate Mayumi Yoshida returns to the YVR Screen Scene Podcast to discuss her long-awaited feature film directorial debut, Akashi, which is inspired by Mayumi’s own experience of living in the space between cultures. Ten years after moving to Vancouver, struggling visual artist Kana (that’s Mayumi) returns to Tokyo to attend the funeral of her beloved grandmother. Arriving in Japan, she rekindles a tentative flame with her bashful ex-boyfriend, Hiro, an aspiring thespian who vanished from her life a decade prior. As Kana digs deeper into her grandmother’s past, she uncovers a family secret that prompts her to reconsider everything she thought she knew about love, duty, and belonging.
Akashi – which Mayumi wrote, directed, and starred in – has its world premiere this week at the 2025 Vancouver International Film Festival. The feature began its life as a Fringe Festival play in 2016, before evolving into a Storyhive-funded short film in 2017 (the latter for which she earned a slew of awards, including the award for Best Female Director at the 2018 Vancouver Short Film Festival, and the Outstanding Writer Award at the NBCUniversal Short Film Festival). Although it’s been a long road to bring Akashi to the screen in its current feature-length incarnation, Mayumi hasn’t been idle in the intervening years: between directing short films – including the music video for Different Than Before, which won the SXSW Music Video Jury Award in 2023 – and working as a dialect coach and cultural consultant and advocating for diversity and inclusion in our challenging industry, Mayumi has been fighting to get this film made. This included, in 2021, taking on Telefilm, Canada’s major funding provider, for their outdated language requirements that didn’t take Canada’s purported commitment to diversity and inclusion into consideration. In this riveting conversation with Sabrina Rani Furminger, Mayumi reflects on her journey to this moment, how Akashi changed over the years, and how Akashi changed her as an artist.
Episode sponsor: UBCP / ACTRA
Episode 347: Why Dil Rakh: Gloves of Kin is a game-changer
The YVR Screen Scene Podcast
1 hour 38 seconds
5 months ago
Episode 347: Why Dil Rakh: Gloves of Kin is a game-changer
The Vancouver-shot Dil Rakh: Gloves of Kin tells the story of Sukh Sidhu, a South Asian man who spent 20 years in jail for a crime he didn't commit. Upon his release, he returns to the small predominantly white town where his life went sideways, where racism abounds and where his son Dayton is in deep with a group of petty criminals who barely conceal their contempt for his brownness. Dayton is pissed with his dad for leaving the family for 20 years, and reconciliation seems impossible – until father and son find common ground in the boxing ring.
Dil Rakh: Gloves of Kin is one part drama, one part boxing, one part commentary on racism in small town North America, and 100 per cent heart; in other words (and in the opinion of YVR Screen Scene host Sabrina Rani Furminger), it’s a game-changer. The film won the Sundar Prize for Best BC Film at the 2024 Sundar Prize Film Festival and is currently available for streaming on Amazon Prime. Actors Dalj Brar (who also wrote and directed) and Umar Farook Khan join Sabrina in the YVR Screen Scene Podcast lab to talk the evolution of representation, boxing, changing the game, and keeping the faith.
Episode sponsor: Fish Flight Entertainment
The YVR Screen Scene Podcast
The wildly talented multi-hyphenate Mayumi Yoshida returns to the YVR Screen Scene Podcast to discuss her long-awaited feature film directorial debut, Akashi, which is inspired by Mayumi’s own experience of living in the space between cultures. Ten years after moving to Vancouver, struggling visual artist Kana (that’s Mayumi) returns to Tokyo to attend the funeral of her beloved grandmother. Arriving in Japan, she rekindles a tentative flame with her bashful ex-boyfriend, Hiro, an aspiring thespian who vanished from her life a decade prior. As Kana digs deeper into her grandmother’s past, she uncovers a family secret that prompts her to reconsider everything she thought she knew about love, duty, and belonging.
Akashi – which Mayumi wrote, directed, and starred in – has its world premiere this week at the 2025 Vancouver International Film Festival. The feature began its life as a Fringe Festival play in 2016, before evolving into a Storyhive-funded short film in 2017 (the latter for which she earned a slew of awards, including the award for Best Female Director at the 2018 Vancouver Short Film Festival, and the Outstanding Writer Award at the NBCUniversal Short Film Festival). Although it’s been a long road to bring Akashi to the screen in its current feature-length incarnation, Mayumi hasn’t been idle in the intervening years: between directing short films – including the music video for Different Than Before, which won the SXSW Music Video Jury Award in 2023 – and working as a dialect coach and cultural consultant and advocating for diversity and inclusion in our challenging industry, Mayumi has been fighting to get this film made. This included, in 2021, taking on Telefilm, Canada’s major funding provider, for their outdated language requirements that didn’t take Canada’s purported commitment to diversity and inclusion into consideration. In this riveting conversation with Sabrina Rani Furminger, Mayumi reflects on her journey to this moment, how Akashi changed over the years, and how Akashi changed her as an artist.
Episode sponsor: UBCP / ACTRA
