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The WPI Oral Histories
Wildenstein Plattner Institute
25 episodes
5 hours ago
The WPI Oral Histories provide unprecedented firsthand accounts from art historians, archivists, gallerists, and others with close connections to WPI’s research projects. Issued in installments, each oral history will complement the WPI’s unique material. The Wildenstein Plattner Institute Inc. is a non-profit foundation dedicated to the study of art and to fostering the accessibility, cataloguing, and digitization of archival materials that support critical research in the field. Visit www.wpi.art for more information.
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All content for The WPI Oral Histories is the property of Wildenstein Plattner Institute and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The WPI Oral Histories provide unprecedented firsthand accounts from art historians, archivists, gallerists, and others with close connections to WPI’s research projects. Issued in installments, each oral history will complement the WPI’s unique material. The Wildenstein Plattner Institute Inc. is a non-profit foundation dedicated to the study of art and to fostering the accessibility, cataloguing, and digitization of archival materials that support critical research in the field. Visit www.wpi.art for more information.
Show more...
History
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WPI Oral History: Françoise Marnoni on Paul Gauguin
The WPI Oral Histories
24 minutes 59 seconds
2 years ago
WPI Oral History: Françoise Marnoni on Paul Gauguin

Françoise Marnoni is a researcher and Managing Editor for the forthcoming volume of the Paul Gauguin catalogue raisonné. She began working for the Wildenstein Institute’s Paris office in 2000 while researching the Pierre-Auguste Renoir catalogue raisonné, and later on, the catalogue raisonnés of Maurice de Vlaminck and Kees Van Dongen. Highlights of the interview include discussions of her research methods, the use of correspondence and digital archival collections as research tools, provenance in Gauguin’s Tahitian period, and the particular advantages of a digital catalogue raisonné.

KEYWORDS: Paul Gauguin, Tahitian period, provenance research, correspondence, Ambroise Vollard, Raymond Cogniat, Georges Chaudet, Georges-Daniel de Monfreid, Gaston Lévy, archival collections, dossiers, catalogue raisonnés

The WPI Oral Histories
The WPI Oral Histories provide unprecedented firsthand accounts from art historians, archivists, gallerists, and others with close connections to WPI’s research projects. Issued in installments, each oral history will complement the WPI’s unique material. The Wildenstein Plattner Institute Inc. is a non-profit foundation dedicated to the study of art and to fostering the accessibility, cataloguing, and digitization of archival materials that support critical research in the field. Visit www.wpi.art for more information.