During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...
All content for The WPHP Monthly Mercury is the property of The WPHP Monthly Mercury and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...
The Canterbury Fails x The WPHP Monthly Mercury: MONKS!!!
The WPHP Monthly Mercury
1 hour 7 minutes
3 years ago
The Canterbury Fails x The WPHP Monthly Mercury: MONKS!!!
What do the medieval period and the Romantic period have in common? Well, at the very least, badly behaved monks. In Episode 4 of Season 3 of The WPHP Monthly Mercury, hosts Kate Moffatt and Kandice Sharren team up with David Coley and Matt Hussey and their podcast, The Canterbury Fails, for our first-ever crossover episode. This is, in the words of our friends at The Canterbury Fails, "A late medieval music theory complaint and literally the best most bonkers depraved monk freak show m...
The WPHP Monthly Mercury
During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...