During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...
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During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...
As we prepare to launch Season 3 of the The WPHP Monthly Mercury later this week, project director Michelle Levy takes a look back at Season 2. Putting it into conversation with Catherine D'Ignazio and Lauren F. Klein's Data Feminism (2020) and Katherine Bode's A World of Fiction: Digital Collections and the Future of Literary History (2018), Michelle thinks about the work our podcast has engaged in over the last year.
The WPHP Monthly Mercury
During ten years of working on the Women’s Print History Project, we have thought seriously and often about “women’s book history.” What is it, and how do we define it in relation to the WPHP? As women working on the history of women’s book history, what does it feel like, and what do we have to offer? What ground has women’s book history trodden — and where is it going? And how can we contribute to a sustainable future for the field? As relatively new contributors to it, Kate and Kandice wer...
