On the WPHP, our encounters with books and the women who worked on them are bibliographically-focused, as they must be for a project of this scale—focused attention on the contents of every work and the stories of their producers simply isn’t possible. But that doesn’t mean we don’t want to engage with the works that closely—the opposite is true, in fact!—and for Episode 4 of Season 5 of The WPHP Monthly Mercury, “A Newcastle Novelist”, we were delighted to interview Dr. Tricia Monsour from t...
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On the WPHP, our encounters with books and the women who worked on them are bibliographically-focused, as they must be for a project of this scale—focused attention on the contents of every work and the stories of their producers simply isn’t possible. But that doesn’t mean we don’t want to engage with the works that closely—the opposite is true, in fact!—and for Episode 4 of Season 5 of The WPHP Monthly Mercury, “A Newcastle Novelist”, we were delighted to interview Dr. Tricia Monsour from t...
On the WPHP, our encounters with books and the women who worked on them are bibliographically-focused, as they must be for a project of this scale—focused attention on the contents of every work and the stories of their producers simply isn’t possible. But that doesn’t mean we don’t want to engage with the works that closely—the opposite is true, in fact!—and for Episode 4 of Season 5 of The WPHP Monthly Mercury, “A Newcastle Novelist”, we were delighted to interview Dr. Tricia Monsour from t...
The WPHP Monthly Mercury
On the WPHP, our encounters with books and the women who worked on them are bibliographically-focused, as they must be for a project of this scale—focused attention on the contents of every work and the stories of their producers simply isn’t possible. But that doesn’t mean we don’t want to engage with the works that closely—the opposite is true, in fact!—and for Episode 4 of Season 5 of The WPHP Monthly Mercury, “A Newcastle Novelist”, we were delighted to interview Dr. Tricia Monsour from t...
