The first and only podcast bringing you weekly case studies in the pop culture of a dying empire. Every Wednesday, co-hosts Josh, Brian, and A.J. dissect an artifact of popular culture, breaking down how its narrative choices reflect or subvert the reactionary political project. From video games to movies to theater to an apparently infinite supply of evangelical Christian radio drama, we expose the machinations of the worst of all possible worlds in order to figure out how to build a better one.
Also, we have bits.
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The first and only podcast bringing you weekly case studies in the pop culture of a dying empire. Every Wednesday, co-hosts Josh, Brian, and A.J. dissect an artifact of popular culture, breaking down how its narrative choices reflect or subvert the reactionary political project. From video games to movies to theater to an apparently infinite supply of evangelical Christian radio drama, we expose the machinations of the worst of all possible worlds in order to figure out how to build a better one.
Also, we have bits.
THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall
The lads take the Breeze to Crockett island and drink the blood of the angels as they attend Mike Flanagan’s 2021 Catholic horrorfest: Midnight Mass. Topics include the origins of Mike Flanagan, the banal evil of Hamish Linklater, and what it means to try to fight addiction while doing battle with Nosferatu-worshipping vampire-priests.
Media Referenced in this Episode:
Midnight Mass. Dir. Mike Flanagan. 2021.
“The Deeply Personal Horror of Midnight Mass” by Mike Flanagan. Bloody Disgusting. September 27th, 2021.
TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com
Interstitial: “James the Lesser” // Written by A.J. Ditty // Feat. Dono Eyre as “Da Pope” // Music: Pipe Organ of Keane’s “Somewhere Only We Know” by Reductio
The Worst of All Possible Worlds
The first and only podcast bringing you weekly case studies in the pop culture of a dying empire. Every Wednesday, co-hosts Josh, Brian, and A.J. dissect an artifact of popular culture, breaking down how its narrative choices reflect or subvert the reactionary political project. From video games to movies to theater to an apparently infinite supply of evangelical Christian radio drama, we expose the machinations of the worst of all possible worlds in order to figure out how to build a better one.
Also, we have bits.
