Note: This letter takes place immediately after the Owl House episode, so please make sure to listen to that one first. In which D has the warlock equivalent of a salary negotiation, making all of us deeply grateful that Azalin isn't our supervisor. Content Advisory (details on content advisories can be found on Patreon at https://www.patreon.com/posts/introducing-128061331?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link, on Tumblr at https://www.tumblr.com/wonderfulworldofdarklords/782533621911322624/introducing-content-warnings-for-ds-journal?source=share, or on Facebook at https://www.facebook.com/permalink.php?story_fbid=pfbid037sb7hNXRaRMpyamiLiB4EYFfnqmpeGBX3DdS2gzPtUq3EooecwHAgwQVk73cbFMl&id=100083262132645) Abusive relationship subtext (major; eggshell walking, trauma bonding), corpses (major), torture (major), vomit (moderate). If you struggled with D's emotional distress in the Thanos episode...you might just need to skip this one. All music recordings are in the public domain (mark 1.0) and are licensed through https://musopen.org: Granados Twelve Spanish Dances, Op. 37, II. - Oriental (main theme), performed by Monica Alianello (public domain mark 1.0) Bach Passacaglia in C Minor BWV 582 (Azalin's theme), performed by Nicholas Danby (public domain mark 1.0) Dialog for Yensid was written by Azalin Rex himself: http://www.tumblr.com/darklordazalin The Wonderful World of Darklords logo was designed by Halite Jones, whom you can find on Tumblr and Instagram: https://www.tumblr.com/halite-jones and http://www.instagram.com/insta_halite Contact us on: Gmail: wonderfulworldofdarklords@gmail.com Facebook: @wonderfulworldofdarklords Tumblr: @wonderfulworldofdarklords Patreon: www.patreon.com/WonderfulWorldofDarklords YouTube: @wonderfulworldofdarklord Support this podcast at — https://redcircle.com/the-wonderful-world-of-darklords/donations