“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
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“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
Questions? Suggestions? Send a text. We’re going to leap into some of the fun, crazy and sometimes completely mad of the Weimar days, i.e. the wild sexual revolution that appeared in in Berlin and to a lesser degree across Germany. My big idea for this episode is that in Post-WW1 Germany, people had seen so much death, they searched for life through sex and rejoicing in their bodies. The war had proved a beautiful body could be easily broken or snuffed out and so pleasure was not to be dela...
The Weimar Spectacle
“The Bauhaus. That was an idea, more, an ideal. No difference between draftsmen and artists. Everyone together in a new community, we should build the cathedral of the future. I wanted to be a part of it. And something happened that freed us. We did not learn to paint, but learned to see anew, to think anew, and at the same time we learned to know ourselves” - Re Soupault I’ve been meaning to do an episode about the Bauhaus, which is central to the aesthetics of the Weimar Republic and change...
