What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
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What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
“Play is often talked about as if it were a relief from serious learning. But for children, play is serious learning.” Fred Rogers aka Mister Rogers. I talk about Johan Huizinga's book Homo Ludens. he describes play like this: “Play is a free activity standing quite consciously outside 'ordinary' life as being 'not serious,' but at the same time absorbing the player intensely and utterly.” You can't be serious, is this your real job? is one of my pet peeves and an instigator for this whole 3...
the Way of the Showman
What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
