What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
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What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
When Chris Canfield first messaged me about his upcoming show "The Games We Play," I was struck by how our creative paths had converged despite beginning worlds apart. Chris grew up in Chicago with a magician father who filled their home with card tricks and coin sleights—magic wasn't special, it was simply what they did. Meanwhile, I was discovering similar wonders in the remote landscapes of Norway. What makes Chris's story extraordinary isn't just that he grew up surrounded by magic, but ...
the Way of the Showman
What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay’s house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now. We share the messy path many artists take from hobbyist to performer and why conviction ma...
