In this alternate history, the messenger becomes the assassin. Vandhiyathevan enters the Chola palace, blade in hand, his mission clear: kill Periya Pazhuvettaraiyar. But destiny twists in the shadows. One death changes the course of an empire. In this episode, the Cholas step into a darker game of power, betrayal, and blood.
Step into the rich world of Tamil music, where every lyric tells a story and every melody carries emotion.
Vijay Sethupathi is the only man who can play a romantic lead, villain, and simp in the same movie… and somehow look like he just walked out of a tea shop in all three. One scene he's laughing, next scene he's crying, and the third scene? We're crying because we still don't know what the plot is. And his beard? It’s like a permanent co-star. More consistent than some of his film choices.
This movie felt like a breath of fresh air but at the same time was a real reminder why toxic relationships dont and wont work out ever.
Winning in that 1% is spiritual. It’s not just about overcoming—it's about becoming.
It’s the moment where you’re standing at the edge of your breaking point, and something inside you whispers, “keep going.” Not because you know you'll win, but because you've come too far to turn back. Everyone sees the result, but they don’t see the parts of you that died to get there. The versions of yourself you had to shed—fear, doubt, comfort—to make room for something greater.
In this powerful episode of the Tea Kada Raja Show, I open up about the harsh realities of colourism and how it's deeply embedded in Hinduism, Tamil culture, and our cinema. I share my personal journey navigating life with dark skin, confronting racism both subtle and direct, and breaking down the historical and cultural roots of shade-based bias
Pure love is when there’s no scoreboard, no pretending, no ego, just a quiet, steady “I care about you,” even when they’re not around, even if you get nothing back, even if it hurts sometimes. It’s raw and honest, the kind of love that shows up when it’s easier to disappear. Pure love isn’t loud; it lives in the little things. It doesn’t demand proof or conditions. it simply is.
Today, we're diving into a question that quietly shapes so many of our choices: "What will others think?" It's a thought that can guide us toward kindness and community—but it can also become a trap, keeping us from being true to ourselves. When we constantly filter our actions through imagined judgment, we risk living a version of life that's not really ours. So, here's a gentle reminder: it's okay to care what others think—but don’t let it drown out your own voice.
The only thing retro about this movie was the audience’s desire to rewind time and not buy a ticket. The title promises nostalgia, but what you get is 2.5 hours of cinematic confusion with a side of cringe. Suriya gave a solid performance — like always — but even he looked confused half the time, as if thinking, “Did I sign up for 24 Part 2 or a bad episode of Black Mirror with Tamil dubbing?”
Dragon might just be the most overhyped movie of the year. Pradeep Ranganathan, who usually delivers with his Gen-Z relatability, is weighed down by what he thinks is charm. The visual effects look like a school project, and the action scenes feel like they were lifted from a 90s video game. PR tries hard to save it, but even his curly hair, weird beard and Dhanush type acting can't rescue this mess.
Vidamuyarchi isn't about perseverance in work, as it's generally used. Here, it's about the spirit, about the doggedness required to keep human bonds alive. It's a film that may not have grand heroism as we have come to expect; but it has more than one grand idea for sure.
Rajini’s movies don’t need logic – why would you need it when your character can punch a helicopter and make it cry?
But honestly, let’s give credit where it’s due. Rajinikanth is like a Kollywood superhero with no origin story. He could literally trip on stage, and the entire audience would rise for a standing ovation. He’s not just a superstar; he’s the universe’s personal favorite uncle who always has a story that defies reason… and reality.
Pushpa 2: The Rule lethu ra, The Roast
In this episode , we dive into the film's over-the-top action, melodramatic performances, and unforgettable dialogues. With a mix of humor and sarcasm, we break down the absurdities, plot holes, and mind-boggling moments that make Pushpa 2 a guilty pleasure for fans and critics alike.
Kanguva—the kind of film that feels like a lost project from a director who just discovered Vikings, screaming, and family sentiment, then thought, “Why not use all of them for every scene?” The story is less a coherent narrative and more like a fever dream after playing Uncharted and GTA Vice City, while binge-watching Mad Max: Fury Road on a loop. The hero's journey? An endless cycle of melodrama and recycled tropes that somehow still manage to feel fresh… in all the wrong ways. The CGI looks like it was borrowed from 2003, and the dialogue? So over-the-top, it could be a parody of itself. I cant wait for Tamizh Padam 3.
Kanguva is the kind of movie you’d watch ironically at 3 AM with friends—only to regret every decision you made by sunrise.
On the latest episode of The Tea Kada Raja Show, me and my sister dive into an entertaining discussion about each other's pet peeves and explore pet peeves in general.
The conversation starts with a broader discussion of common pet peeves that people experience—everything from using the phone in the cinemas and poor discipline to miscommunication and inconsiderate actions. Abi and I share funny anecdotes from our own lives that highlight how pet peeves can sometimes lead to amusing, yet frustrating, situations.
As the conversation deepens, we expand the topic to include a lighthearted exchange of personal annoyances, where we both humorously call each other out on quirky habits or behaviours that irk one another. From small household annoyances to pet peeves that stem from everyday life, the banter is filled with laughs and relatable moments.
Join me on a captivating journey through the heart of Melbourne's Shiva Vishnu Temple, where spirituality, culture, and community intertwine. In this episode, we delve into the temple's rich history, its stunning architecture, and the vibrant festivals that bring people together.
Discover the stories, traditions, and the transformative power of faith in this unique spiritual sanctuary, and learn how the temple fosters a sense of belonging in an ever-evolving world. Tune in for an enlightening experience that bridges the past and present!
The art of understanding is a delicate dance between listening and empathy. It invites us to step outside our own perspectives, to engage deeply with the thoughts and feelings of others. In this intricate exchange, we learn to appreciate the nuances of human experience—where words are often just the tip of the iceberg. True understanding requires patience, the courage to ask questions, and the humility to acknowledge that our own views may be limited. As we cultivate this art, we not only enrich our connections with others but also deepen our own sense of self, discovering that in the spaces between us, profound truths often emerge.
As a devoted fan of Thalapathy Vijay, I found "The Greatest of All Time" to be a bit disappointing, though it still had its merits. While the film didn't quite live up to the sky-high expectations set by Vijay's previous works, it still offered a solid performance from the star and showcased his undeniable charisma and acting prowess. The storyline, while engaging at times, felt a bit uneven and struggled to maintain momentum throughout. Despite these shortcomings, the movie rem...
2 years later.. we're in the same position.
lets go for drive