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The Stranger
August von Kotzebue
5 episodes
3 months ago
http://www.adfreebooks.com - 1000+ audiobooks, all ad free!

This sentimental drama, written by the prolific German dramatist, August von Kotzebue (a friend of Ludwig von Beethoven,) was originally published under the title “Menshenhass und Reue.” When the play was translated into English in the late 1790s, it quickly became a runaway success in both Great Britain and the United States and remained a staple of dramatic companies for most on the 19th century. The fairytale-like plot, with its story of lost love, concealed identity, crushing guilt, and healing redemption, charmed generations of tearful Victorian theatre-goers.
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Performing Arts
Arts,
Books,
Fiction,
Drama
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All content for The Stranger is the property of August von Kotzebue and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
http://www.adfreebooks.com - 1000+ audiobooks, all ad free!

This sentimental drama, written by the prolific German dramatist, August von Kotzebue (a friend of Ludwig von Beethoven,) was originally published under the title “Menshenhass und Reue.” When the play was translated into English in the late 1790s, it quickly became a runaway success in both Great Britain and the United States and remained a staple of dramatic companies for most on the 19th century. The fairytale-like plot, with its story of lost love, concealed identity, crushing guilt, and healing redemption, charmed generations of tearful Victorian theatre-goers.
Show more...
Performing Arts
Arts,
Books,
Fiction,
Drama
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ACT I
The Stranger
28 minutes
1 year ago
ACT I
http://www.adfreebooks.com - 1000+ audiobooks, all ad free!
The Stranger
http://www.adfreebooks.com - 1000+ audiobooks, all ad free!

This sentimental drama, written by the prolific German dramatist, August von Kotzebue (a friend of Ludwig von Beethoven,) was originally published under the title “Menshenhass und Reue.” When the play was translated into English in the late 1790s, it quickly became a runaway success in both Great Britain and the United States and remained a staple of dramatic companies for most on the 19th century. The fairytale-like plot, with its story of lost love, concealed identity, crushing guilt, and healing redemption, charmed generations of tearful Victorian theatre-goers.