The Sound of the Hound is a podcast series about the people and the technology that brought recorded music to the masses in Victorian London and beyond. In it, journalist and author James Hall and music industry executive Dave Holley chronicle the adventures of the early sound pioneers as they risked life and limb to capture sound and launch the music business as we know it today. In particular, the series focuses on a genius called Fred Gaisberg. The world’s first A&R man, Fred was a nineteenth century amalgam of Steve Jobs, Simon Cowell and Indiana Jones. He travelled by cart, cargo ship and camel – from London to Italy and from Japan to India – in search of intriguing music. His – and others’ – stories have to be heard to be believed. The Sound of the Hound is brought to you by EMI Archive Trust.
James Hall is a music journalist and author. As well as being one of The Daily Telegraph’s rock and pop critics, he has written for The Times, The Guardian, The Sunday Times, The FT and The Observer. James’s novel about the birth of the recorded music industry in 1890s London — The Industry of Human Happiness— was published in 2018. James’s prize possession is a very battered, very loud gramophone-in-a-suitcase from the 1920s. His neighbours are equally enamoured of it.
Dave Holley is a music business suit. He ran EMI's recording studios, including Abbey Road and Capitol Studios, and remains a trustee of The EMI Archive Trust. He is currently CEO of Wise Music Group one of the world's leading independent music publishers. If you hear a dog in the background of the podcast that is Dave's labrador Leo who joins us for the recordings, dozing as we speak. He occassionally talks in his sleep.
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The Sound of the Hound is a podcast series about the people and the technology that brought recorded music to the masses in Victorian London and beyond. In it, journalist and author James Hall and music industry executive Dave Holley chronicle the adventures of the early sound pioneers as they risked life and limb to capture sound and launch the music business as we know it today. In particular, the series focuses on a genius called Fred Gaisberg. The world’s first A&R man, Fred was a nineteenth century amalgam of Steve Jobs, Simon Cowell and Indiana Jones. He travelled by cart, cargo ship and camel – from London to Italy and from Japan to India – in search of intriguing music. His – and others’ – stories have to be heard to be believed. The Sound of the Hound is brought to you by EMI Archive Trust.
James Hall is a music journalist and author. As well as being one of The Daily Telegraph’s rock and pop critics, he has written for The Times, The Guardian, The Sunday Times, The FT and The Observer. James’s novel about the birth of the recorded music industry in 1890s London — The Industry of Human Happiness— was published in 2018. James’s prize possession is a very battered, very loud gramophone-in-a-suitcase from the 1920s. His neighbours are equally enamoured of it.
Dave Holley is a music business suit. He ran EMI's recording studios, including Abbey Road and Capitol Studios, and remains a trustee of The EMI Archive Trust. He is currently CEO of Wise Music Group one of the world's leading independent music publishers. If you hear a dog in the background of the podcast that is Dave's labrador Leo who joins us for the recordings, dozing as we speak. He occassionally talks in his sleep.
Hosted on Acast. See acast.com/privacy for more information.
Bonkers, basically. The story of opera singer Adelina Patti is one of the most eye-popping of all the tales we explore in this series. The saga starts in Madrid, where Patti was born in 1843, before it takes us to Clapham in South London, moves around the world and ends in a haunted castle in Wales. As well as being in possession of a stunning voice, Patti made an absolute fortune, was friends with Tchaikovsky, was a billiard champion, owned one of the world’s first ice-making machines, and built a theatre in her back garden decorated with images of herself and kitted out with a mechanical auditorium floor. She once threw a party where 450 bottles of Champagne were drunk. Who ever said that opera was boring?
If it weren’t for the pandemic, Dave and James were planning to record this episode on location at Patti’s former pile in Wales. Instead, they’re relying on documents and diaries – and their brilliant regular guest Michael Volpe – to tell the story of Patti’s madcap 63-year career.
A child prodigy, Patti remains one of the legends of opera. She made her professional debut in 1859 in New York when she was 16, before being invited to sing at Covent Garden two years later. She was a smash so she… bought a house in Clapham. She used it as a base to conquer Europe. Soon she was touring the world, singing for Presidents and royalty. So in demand was Patti, it is said, that she could demand to be paid $5,000 a night IN GOLD in advance. That’s the equivalent of $100,000 a night in today’s money.
We don’t want to spoil the story but we can’t wait for you to hear this episode. Patti left her recording until the end of her career, when Fred and colleagues went to her Welsh castle with their gear to capture her voice. Their recollections of what went on there are recounted here in their incredible detail. Although her voice was not in its prime due to her age, the Patti recordings are things of beauty. You can almost hear the stories, and the scars and bumps of a life well lived, in the songs she committed to the gramophone. We hope you enjoy it all.
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