"The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward." —Joseph Cambell In today's episode, Connie introduces the two modes of thinking that work together, for an artist, when painting. Understanding how they work will enable you to become even more creative and, thus, more artistic! Connie and David enjoy a great discussion on moving back and forth, from one side of the brain to the other, whereas Judy is apparently stuck in her cubicle and couldn’t even see the bridge from left to right, never mind finder her way to it! Perhaps she’s reading too much. She is currently absorbed in ‘M: The Man Who Became Caravaggio’ by Peter Robb. Michelangelo Meriti da Caravaggio (1571-1610) Martha and Mary Magdalene, c. 1598, oc, 38 1/2 x 52 1/4, Detroit Institute of Arts, Detroit, MI. PD-US.  All this is a precursor to the Sight&Insight presentation and critique by Connie and David on February 24th. Stay tuned for how to reserve a seat. Space is limited.  Generally, Connie says, the left side of the brain, the language side, dominates our thinking. But, as our resident artist and psychologist, Connie is going to give us some unique ways to help the "silent right side of the brain come out and do it's thing!" Sounds like a plan, Judy, for one, needs all the help she can get. In viewing the cartoon of both sides of the brain, she didn't even notice the bridges!  In the meantime, happy February, and join us the week after next for the continuing saga of working with your brain for greater creativity: Episode 35, Play in the Production of Paintings.  Cheers, Judy, Connie and David "Do not let it look as if you reasoned too much. Painting must be impulsive to be worth while." —Charles W. Hawthorne