When Bruce Springsteen was asked why he was invited to write the theme song for 'Philadelphia', the first mainstream motion picture about the AIDS crisis, and one of the first films made in Hollywood featuring a gay protagonist, he responded that the film's director, Jonathan Demme, had 'wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with'. The song that Springsteen would create in response to this brie...
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When Bruce Springsteen was asked why he was invited to write the theme song for 'Philadelphia', the first mainstream motion picture about the AIDS crisis, and one of the first films made in Hollywood featuring a gay protagonist, he responded that the film's director, Jonathan Demme, had 'wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with'. The song that Springsteen would create in response to this brie...
The 1960s girl group genre might seem an odd place to find tragedy, particularly when it's wrapped in such apparently joyful music as The Chiffons' 'One Fine Day'. Legendary songwriting partners Gerry Goffin and Carole King manage the difficult trick of combining the bright-eyed optimism of new love with the sad certainty it'll never be realised in a song which takes in influences from both doo-wop and opera. It's a wonderful demonstration of the way minor chords and 'blue notes' can make a s...
The Secret Life of Songs
When Bruce Springsteen was asked why he was invited to write the theme song for 'Philadelphia', the first mainstream motion picture about the AIDS crisis, and one of the first films made in Hollywood featuring a gay protagonist, he responded that the film's director, Jonathan Demme, had 'wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with'. The song that Springsteen would create in response to this brie...
