What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
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What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
Feminism and Aesthetics: Steph Yates on Music and Art (The Secret Ingredient - 03/06/15)
The Secret Ingredient
55 minutes 29 seconds
10 years ago
Feminism and Aesthetics: Steph Yates on Music and Art (The Secret Ingredient - 03/06/15)
This week we talk with Steph Yates, a Guelph-based screen-printer, videographer, songwriter, and multi-instrumentalist about the relationships between music and art. How has the dialogue between the two disciplines developed over time, in various places, and in her practice in particular? Yates discusses the aesthetic and conceptual choices in her music and art, grapples with issues of identity and gender, and talks about what it’s like being a female lead in the music scene.
“I think for me the secret ingredient is the thing that you can’t know until it happens, the thing you can’t catch, the mistake you didn’t know you were waiting for until it arrives. It’s just sort of the way things fall and then you see it. Maybe you think of it as fate or chance but you can’t direct it.”
Jarmusch, Jim, “My Golden Rules,” MovieMaker, January 22, 2004.
The Secret Ingredient
What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
