What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
All content for The Secret Ingredient is the property of Musagetes and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
Creatrix of Culture Jenny Mitchell (The Secret Ingredient – 22/10/14)
The Secret Ingredient
57 minutes 7 seconds
10 years ago
Creatrix of Culture Jenny Mitchell (The Secret Ingredient – 22/10/14)
Omnichordist, multi-instrumentalist, record label executive (Label Fantastic), mother, bus driver, instigator of Golden Throats Karaoke, and youth DIY music savior, Jenny Mitchell talks about living a life grounded in music. Having started The Barmitzvah Brothers at age 15 with co-conspirators Evan and Geordie Gordon, Jenny reflects on the specialness of youth musical creation prior to the self-censorship that an adult self-consciousness can instill. Her mobile recording studio The Golden Bus aims to bring DIY culture to young creators in the city and offers a platform and training for the many different ways to make music.
“The secret ingredient is yourself. You’re the filter, you’re how it’s all coming in, it’s being filtered in through you; you’re adding your piece to anything that has ever been done. That is the only constant in all artistic practice.” - Jenny Mitchell
The Secret Ingredient
What possibilities for political transformation can be opened up through imagination, fantasy, and art? Can the left create instrumental change or is the game rigged? This week artist and writer Jacob Wren considers these questions, as well as ideas about the artist as political activist and the balance between egoism and conciliation in collaborative projects.
“Sometimes I think that the secret ingredient in art is art. Another thing that has come to the forefront of my mind over the years is how little room for art there is in art; how much of the structural and institutional ways of thinking in and around art keep out what I think of as art. For me art has to be something where you don’t know everything about it when you start. What I’m trying to do when I make work […] is discover something that I’m not entirely able to articulate.” – Jacob Wren
Wren, Jacob, Polyamorous Love Song, Toronto: Book Thug, 2014.
