Paige Morse, an American Studies student at George Washington University, digs into movies, music and TV shows intertwined with political movements. She analyzes how pop culture often reflects or comments on America’s political climate. The two can never be truly separate entities. Morse interviews friends, family, and experts to gain their perspectives on these pop culture moments and contextualize them in the greater map of American history.
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Paige Morse, an American Studies student at George Washington University, digs into movies, music and TV shows intertwined with political movements. She analyzes how pop culture often reflects or comments on America’s political climate. The two can never be truly separate entities. Morse interviews friends, family, and experts to gain their perspectives on these pop culture moments and contextualize them in the greater map of American history.
(Trigger warning: sexual assault) Paige talks about the John Hughes movies that defined her coming-of-age years – "Sixteen Candles," "The Breakfast Club" and "Pretty in Pink" – and what parts did not age well. She emphasizes how important it is to look at everything with a critical eye, even the cherished films of your childhood. Topics include sexual assault, rape culture, racism against Asian Americans, 1980s class issues, misogynistic comedies of the 1970s and 1980s and more.
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The Revolution is Televised
Paige Morse, an American Studies student at George Washington University, digs into movies, music and TV shows intertwined with political movements. She analyzes how pop culture often reflects or comments on America’s political climate. The two can never be truly separate entities. Morse interviews friends, family, and experts to gain their perspectives on these pop culture moments and contextualize them in the greater map of American history.