Poor George. He’s never seen any movies. Rather than mourn their dear friend, Travis and Dan have taken it upon themselves to show him what he is missing. But they don’t stop at showing him famous movies! They also help George to understand how each film fits into the Great Narrative of Film. Not only THAT the film of the week is significant, but WHY and HOW. Also, they make jokes and stuff.
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Poor George. He’s never seen any movies. Rather than mourn their dear friend, Travis and Dan have taken it upon themselves to show him what he is missing. But they don’t stop at showing him famous movies! They also help George to understand how each film fits into the Great Narrative of Film. Not only THAT the film of the week is significant, but WHY and HOW. Also, they make jokes and stuff.
George has seen Batman (1989.) He's seen, and discussed at length, the Nolan Trilogy. Heck, he's even seen these same supporting characters in The Batman. But George was not ready for Danny Devito and Michelle Pfeiffer.
We get deep into the sewers and Bat lore, explore the connections between Batman 1966, Batman Returns and the Nolan Trilogy. And there's jokes and stuff. But how could we make this movie into a Happy Meal?
Dan will be appearing as the guest of The Hysteria Continues podcast to discuss Elves (1989) with the panel of slasher fans with an episode launching December 22nd on YouTube (and December 24th on podcatchers.) Be sure to keep an eye on https://www.youtube.com/@TheHysteriaContinues for that!
And after the episode, check out the Extra Credit Discussion group on Facebook:
https://www.facebook.com/groups/remedialfilmpod
Did you know we are now on YouTube? Find extra video goodies and subscribe at https://www.youtube.com/@RemedialFilmPod
Theme song recorded by The Hungry Sevens.
The Remedial Film Class Podcast
Poor George. He’s never seen any movies. Rather than mourn their dear friend, Travis and Dan have taken it upon themselves to show him what he is missing. But they don’t stop at showing him famous movies! They also help George to understand how each film fits into the Great Narrative of Film. Not only THAT the film of the week is significant, but WHY and HOW. Also, they make jokes and stuff.
