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The Prepared Performer Podcast
Molly Mahoney: Vocal, Performance and Business Coach interviews Performing Arts Professionals such as Anthony Boyer (Agent with Stage 9/DDO), Molly Tynes (Pippin on Broadway) and Sean Hankison (Barbie\'s Dream House)
16 episodes
9 months ago
Are you a Performer who actually wants to get paid for your talent? This podcast is for you! Vocal, Performance, and Business Coach Molly Mahoney brings you bi-weekly interviews with performing arts experts helping you to build your performance career. It\'s called Show Business for a reason!
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Performing Arts
Arts
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All content for The Prepared Performer Podcast is the property of Molly Mahoney: Vocal, Performance and Business Coach interviews Performing Arts Professionals such as Anthony Boyer (Agent with Stage 9/DDO), Molly Tynes (Pippin on Broadway) and Sean Hankison (Barbie\'s Dream House) and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Are you a Performer who actually wants to get paid for your talent? This podcast is for you! Vocal, Performance, and Business Coach Molly Mahoney brings you bi-weekly interviews with performing arts experts helping you to build your performance career. It\'s called Show Business for a reason!
Show more...
Performing Arts
Arts
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TPPP 003: NYC VOCAL COACH AND ACCOMPANIST, ANDREW BYRNE - THE PERFECT AUDITION SONG
The Prepared Performer Podcast
21 minutes 55 seconds
10 years ago
TPPP 003: NYC VOCAL COACH AND ACCOMPANIST, ANDREW BYRNE - THE PERFECT AUDITION SONG
More about Andrew here - www.AndrewMByrne.comFind new material with his awesome Rep Lists - http://www.andrewmbyrne.com/repertoire-lists/Learn from THE BEST in his masterclass in SoCal on October 24th - www.ThePreparedPerformer.com/masterclassHere's his top tips for the Perfect Audition Song.P. is for Playable:Is this song too musically hard for a pianist who has never seen it before?Are there excessive tempo/meter/key changes?Is the copy I’m using legible?Are the chords or the bottom piano staffs cut off/not visible on the copy I’m using? Is the musical information crystal-clear on the page (i.e. are my cuts marked correctly)?E. is for Effective:Does this song have musical impact? (btw, musical impact doesn’t necessarily mean loud)Is there a clear storytelling arc?Is the musical climax well-defined and does it occur at the right point in my cut?Am I showing vocal range (pitch, dynamics, texture)?Am I showing range as an actor (physicality, intention, communication)?R. is for Relatable:Does the text of this song make sense out of context?Is there a universal theme being explored?Does this song correlate with the kinds of characters I want to play?Is this song too sad/angry/depressed to allow those in the room to connect with me?Is there a tangible action that the character who sings this song is taking?F. is for Flexible: Can I imagine playing the lyric of this song from many perspectives?Is this song’s story too specific to be spun a different way?If a director asked me to play this song in different circumstances, would that be doable?Could I start at different points in the song with it still making sense?Can I think of more than one role for which this song would be a good audition choice?E. is for Easy (for you:)Does this song show off something I do well?Do I feel like I could roll out of bed at 6AM and sing this song?Does this song feel like it “fits” me?Does my face feel relaxed when I sing this song?When I take a video of myself singing this piece, do I make it look easy?C. is for Connected:Is this song a story that I look forward to telling?Do I feel an emotional pull toward this lyric?When I listen to the music of this song without the text, do I still feel an emotional connection?Do I understand the character who is singing this song?Do I love this song?T. is for Tailored:Do I know this entire piece, so I can make informed decisions about edits?Is my audition version the right length?Is it in the right key?Have I made the cuts that allow me to tell the story in the best way for me?Do I need to make any slight lyric or music changes to feel more comfortable?
The Prepared Performer Podcast
Are you a Performer who actually wants to get paid for your talent? This podcast is for you! Vocal, Performance, and Business Coach Molly Mahoney brings you bi-weekly interviews with performing arts experts helping you to build your performance career. It\'s called Show Business for a reason!