What can film teach us about the evolution of racial politics and depictions of race in the United States? In this series, we’ll be exploring key questions around the impact, influence, and significance of film as a form of social analysis, engagement, and critique. We will examine how racial politics in America are represented by its films, Hollywood cinema’s role in how race is framed, and how this framing has contributed to broad, intersectional representations of racial inequality. We will examine recent films – including Moonlight, The Last Black Man in San Francisco, Black Panther, The Florida Project, Paterson, and more – intending to address, depict, and complicate our understanding of race in the United States. The Politics of Race in American Film is a limited podcast series from the LSE US Centre, hosted by Dr. Clive James Nwonka.
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What can film teach us about the evolution of racial politics and depictions of race in the United States? In this series, we’ll be exploring key questions around the impact, influence, and significance of film as a form of social analysis, engagement, and critique. We will examine how racial politics in America are represented by its films, Hollywood cinema’s role in how race is framed, and how this framing has contributed to broad, intersectional representations of racial inequality. We will examine recent films – including Moonlight, The Last Black Man in San Francisco, Black Panther, The Florida Project, Paterson, and more – intending to address, depict, and complicate our understanding of race in the United States. The Politics of Race in American Film is a limited podcast series from the LSE US Centre, hosted by Dr. Clive James Nwonka.
The Politics of Race in American Film: Episode 2, Race, Space, and The City
The Politics of Race in American Film
4 years ago
The Politics of Race in American Film: Episode 2, Race, Space, and The City
Contributor(s): Dr. Suzanne Hall, Dr. Austin Zeiderman | In this episode of The Politics of Race in American Film podcast, Dr. Clive James Nwonka discusses the films Paterson and The Last Black Man in San Francisco with Dr. Suzanne Hall (LSE Sociology) and Dr. Austin Zeiderman (LSE Geography and the Environment). Both films examine the relationships their main characters have with the cities in which they live, work, and create, but the protagonists of each film, Paterson and Jimmie, have radically different experiences of urban life. This conversation explores why some people’s belonging in a city is questioned or denied, the varying depictions of multicultural and multi-ethnic cities, and the resilience of Black creativity in the face of threats from the system.
Contributors: Dr. Suzanne Hall, Associate Professor in Sociology and Director of the Cities Programme, LSE; Dr. Austin Zeiderman, Associate Professor of Geography, LSE; Dr. Clive James Nwonka, Fellow International Inequalities Institute, LSE
The Politics of Race in American Film
What can film teach us about the evolution of racial politics and depictions of race in the United States? In this series, we’ll be exploring key questions around the impact, influence, and significance of film as a form of social analysis, engagement, and critique. We will examine how racial politics in America are represented by its films, Hollywood cinema’s role in how race is framed, and how this framing has contributed to broad, intersectional representations of racial inequality. We will examine recent films – including Moonlight, The Last Black Man in San Francisco, Black Panther, The Florida Project, Paterson, and more – intending to address, depict, and complicate our understanding of race in the United States. The Politics of Race in American Film is a limited podcast series from the LSE US Centre, hosted by Dr. Clive James Nwonka.
