Eric Silver joins the podcast to talk about podcast development. We discuss what you need to figure out before starting a podcast, how to approach podcast development, and more.
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I've been struggling with making video content, especially for these solo episodes. So I wanted to talk about why that is and what I'm considering doing instead.
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Switched on Pop's Charlie Harding joins me to discuss how to make a killer music podcast. We talk about how Switched on Pop is produced and break down what fair use is and how you can use it in a podcast.
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Want to start a podcast with guests? Here's how you can make the most of booking guests on your show.
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Rachel Jacobs is the editor for The McElroy Family and she joins me to discuss how The Adventure Zone and My Brother, My Brother & Me are edited. We dive into the differences between the shows, what her role is at the live events, and more.
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I've quit 4 podcasts over the years. Here, I break down why, what conversations needed to be had, and what you can do once you've quit a podcast.
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Lauren Passell from Tink Media joins Deanna Chapman for a candid discussion about when you should and shouldn't market your podcast episodes. Lauren also gives tips on what you can do outside of posting on social media to increase your show's reach.
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I have a few pet peeves when it comes to podcasting, but getting caught up in wanting to make money before launching your podcast is the biggest one. Here's what to focus on instead.
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Amanda McLoughlin joins Deanna Chapman for a discussion about what a podcast collective is and how her company, Multitude, builds community through podcasts.
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In this solo episode, I cover 4 different ways you can monetize your podcast, even with a small audience.
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Travis Newton joins the podcast to dig into DIY podcasting. We discuss formats, how to stay consistent, and what it takes to make a podcast.
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Jesse Cannon is a podcast producer for hit shows like Being Black: The 80s, The Daily Beast's The New Abnormal, Air Mail's Morning Meeting, and Fast Politics with Molly Jong-Fast. He dives in to what some best practices are for producing a chart-topping podcast, which includes making competition reports and the importance of pre-production.
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